Photoshop ยท Lesson 01 How Photoshop Actually Thinks
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Photoshop ยท Lesson 01
It's Not a Photo.
It's a Grid.
๐Ÿ” Zoom into any photo far enough and you stop seeing a picture โ€” you start seeing tiny squares. Every Photoshop tool manipulates those squares.
Core Concept
What Is a Pixel?
๐ŸŸง
One Pixel
A single square of one solid color. No gradients, no blending โ€” just one unique color value stored as Red, Green, Blue numbers.
ร—
๐Ÿ“ท
24 Megapixels
24,000,000 of those tiny colored squares captured at the shutter press. That's what fills your camera's sensor grid.
๐Ÿ’ก One megapixel = one million pixels. Every Photoshop tool โ€” every filter, brush, and adjustment โ€” is just manipulating which color goes in each square.
Core Concept
Resolution โ€” Two Numbers to Memorize
๐Ÿ–ฅ๏ธ
Screen / Web
72 PPI
Monitors and web images. Only pixel dimensions matter for screen (e.g., 2000px wide). The PPI number itself is largely irrelevant online.
72 ppi
๐Ÿ–จ๏ธ
Print
300 PPI
Professional print quality. Same 6,000px-wide photo prints 20" at 300 ppi โ€” or a blurry 83" at 72 ppi. Same pixels, different density.
300 ppi
๐Ÿ“
Key Insight
Same Pixels
Resolution only controls how tightly pixels are packed on paper. It does not change how many pixels exist in the file.
Image > Image Size
๐Ÿง  72 ppi for screen and web. 300 ppi for print. Those are the only two numbers you need to know.
Core Concept
Image Size vs Canvas Size
๐ŸŽจ
Image Size
Resizes the painting.
Scales actual photo pixels up or down. Upsizing creates new (interpolated) pixels. Downsizing permanently discards pixels.

Image โ†’ Image Size
vs
๐Ÿ–ผ๏ธ
Canvas Size
Resizes the frame.
Changes the workspace without scaling the photo. Enlarging adds transparent or filled space around it. Shrinking crops it.

Image โ†’ Canvas Size
๐Ÿ–ผ๏ธ Image Size = resize the painting. Canvas Size = resize the frame the painting sits in. They are not the same thing.
Core Concept
Raster vs. Vector
๐ŸŸฆ
Raster (Pixels)
Fixed grid of colored squares. Scale up too far โ†’ pixelation. Every photo you shoot is raster. Photoshop's core strength. Resolution is baked in at capture.
vs
๐Ÿ”ท
Vector (Math)
Mathematical paths and coordinates. Scales to any size โ€” postage stamp to billboard โ€” and stays razor-sharp forever. Illustrator's home. Photoshop has vector tools but its core is raster.
โš ๏ธ Photoshop is primarily a raster editor. When you rasterize a shape or type layer, it becomes pixels permanently. Pay attention to that warning dialog.
Core Concept
Bit Depth โ€” How Much Color Each Pixel Holds
๐Ÿ“ท
8-Bit
16.7M Colors
Fine for final exported files (JPEG). Not ideal for heavy editing โ€” limited headroom when pushing Curves and color work hard.
Final export only
โญ
16-Bit
Billions
Use this while editing. More color data = smoother gradients, less banding when you push adjustments to the extreme.
โ˜… Edit in this
๐ŸŒŸ
32-Bit
HDR / Float
For HDR merging and specialized compositing. Most filters don't work in 32-bit. Specialized use only.
HDR / Specialized
๐Ÿ”ง Set 16-bit before editing: Image โ†’ Mode โ†’ 16 Bits/Channel. More data means more room to push edits without visible quality loss.
Core Concept
RGB vs CMYK โ€” Stay in RGB
๐Ÿ–ฅ๏ธ
RGB โ€” Your Mode
Red ยท Green ยท Blue

โœ“ Screens & monitors
โœ“ Photography workflows
โœ“ Camera captures in RGB
โœ“ Web & social media
โœ“ Home photo printing

Stay here your entire workflow.
vs
๐Ÿ–จ๏ธ
CMYK โ€” Not Yours
Cyan ยท Magenta ยท Yellow ยท Black

โš  Commercial offset presses
โš  Magazines & catalogs
โš  Your print lab handles this
โš  Converting loses color data

RGB โ†’ CMYK is a one-way trip.
โš ๏ธ Unless you're sending files to a commercial offset printer, stay in RGB for your entire photography workflow. Your photo lab converts automatically.
File Formats
Know Your File Formats
PSD
Photoshop Document โ€” Your Working File
Keeps all layers, masks, adjustment layers, smart objects, and type fully editable. Always save your work as PSD. This is your master file โ€” never overwrite it with a JPEG.
TIFF
Tagged Image File โ€” Lossless & Print-Ready
No quality loss on save. Larger file size. Excellent for print delivery and archival. Great for handing files off to printers.
JPG
JPEG โ€” For Sharing and Web Only
Lossy compression โ€” discards image data every time you save. Flattens all layers. Small file, universal compatibility. Export JPEG at the end of your workflow, not during.
PNG
PNG โ€” Lossless with Transparency
Preserves transparency (alpha channel). Lossless. Larger than JPEG. Perfect for graphics, logos, and images that need transparent backgrounds.
๐Ÿ’พ The rule: PSD to edit. TIFF for print handoff. JPEG only at the very end. Never save your working file as a JPEG.
Workflow
4 Ways Into Photoshop
1
File โ†’ Open (Cmd/Ctrl + O)
Classic method. Navigate to your file in the system dialog. RAW files automatically route through Camera Raw first.
2
Drag & Drop onto the Photoshop Icon
Drag any file onto the Photoshop icon in your Dock (Mac) or Taskbar (PC). Fast and tactile. Works exactly like File > Open.
3
Adobe Bridge
The file browser built for Photoshop. Browse, rate, and filter photos โ€” then double-click to open. RAW files still route through Camera Raw.
4
Lightroom โ†’ Edit In โ†’ Adobe Photoshop โญ Most Common
Right-click a photo in Lightroom Classic โ†’ Edit In โ†’ Edit in Adobe Photoshop. Opens with your Lightroom edits already applied. Changes save back to Lightroom automatically.
โ†’ If the file is RAW, any of these routes automatically opens Camera Raw first for global adjustments before the image enters Photoshop.
Workflow
Lightroom & Photoshop โ€” They Collaborate
๐Ÿ“š
Lightroom โ€” Step 1
โœ“ Import & catalog all photos
โœ“ Cull and rate images
โœ“ Global exposure adjustments
โœ“ Color grading & tone curves
โœ“ Noise reduction & sharpening
โœ“ Export for web & print

Start here every time.
โ†’
๐Ÿ”ฌ
Photoshop โ€” Step 2
โœ“ Remove objects (pixel-level)
โœ“ Composite two images
โœ“ Complex masking & selections
โœ“ Skin retouching
โœ“ Adding text & graphics
โœ“ Anything Lightroom can't do

Only when Lightroom isn't enough.
โ†’ The workflow: Lightroom first โ†’ Photoshop when needed โ†’ save โ†’ back to Lightroom automatically. They don't compete. They collaborate.
Lesson Recap
3 Things to Remember
1
Photoshop Thinks in Pixels
Every photo is a grid of colored squares. Every tool manipulates those squares. This foundation explains every behavior.
2
300 PPI Print ยท 72 PPI Screen
Resolution controls print size, not screen quality. Memorize these two numbers and you'll never have a bad print again.
3
16-Bit to Edit ยท PSD to Save ยท JPEG at the End
Set 16-bit mode before editing. Save your working file as PSD always. Export JPEG only for the final output.
๐Ÿง  These three habits separate confident Photoshop users from frustrated ones. Lock them in on day one.
Your Challenge
๐ŸŽฏ
Before Lesson 02
Open a photo in Photoshop and run these quick checks. Takes 5 minutes and builds real muscle memory.
๐Ÿ“ Open Image โ†’ Image Size โ€” note the pixel dimensions and resolution
๐ŸŽจ Check Image โ†’ Mode โ€” is it RGB? Is it 8-bit or 16-bit?
๐Ÿ” Zoom to 3200% โ€” find the individual pixels and hover to see RGB color values
๐Ÿ’พ Save As โ†’ PSD format โ€” confirm layers are preserved in the file
I know what a pixel is and what PPI means
I'll set my file to 16-bit before editing
I'll save working files as PSD and export JPEG only at the end
Up Next
Lesson PS-02 โ€” Photoshop
The Workspace:
Panels, Tools & Making Photoshop Yours
150 tools. 40 panels. You'll use about 12 of them. Let's find those 12 โ€” and set up a workspace that actually makes sense for photographers.
Tool Panel Key Panels Custom Workspace
Next Lesson โ†’
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